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Artist/Maker (b. 1968)

Basse Terre

2017
Fired clay, porcelain, resin, India ink
Overall: 33 × 18 × 18 in. (83.8 × 45.7 × 45.7 cm)
Purchased through the generosity of Pamela and Arthur Sanders, Pam and Scott Schafler
2017.74
The Brooklyn-based artist Simone Leigh draws upon forms, techniques, and visual cues from across Africa and its diaspora--the communities of descendants scattered around the globe--to reflect on continuity and change. The title of this bust refers to one of the Guadeloupe islands in the Caribbean. One of Leigh's central themes is the black female body as a "repository of lived experience" containing strength, knowledge, and healing wisdom. Here, the body's beehive shape and textured surface reference the mud dwelling structures traditionally made by the Musgum people of Cameroon and Chad. The eyeless features suggest an inner life that we, the viewers, cannot fully apprehend. Basse Terre is part of Simone Leigh’s Anatomy of Architecture series. The steeply-domed body is coil-built, and the head is covered with pale, hand-rolled porcelain roses that referece the piecework performed by women on a continual basis.
ClassificationsSCULPTURE
Collections
  • Sculpture Highlights
  • Collection Highlights
  • Recent Acquisition Highlights
The New York City Nuttcracker
Elliott Arkin
ca. 1991-94
2000.3
Figurine
Russ Berrie & Co., Inc.
ca. 1969
2015.50
Platter
Bourne & Leigh
ca. 1885-1930
555
Chrysler Building
Leigh Behnke
1996
2006.29
Electric iron
General Mills
1946-1954
2004.32a
Aztec box
Juan Pliego
1969-1986
2000.162ab
Aztec box
Juan Pliego
1969-1986
2000.157
Throwing stone box
Juan Pliego
1969-1986
2000.159
Shell box
Juan Pliego
1969-1986
2000.145
Square box with circular lid
Juan Pliego
1969-1986
2000.116ab